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Never Die Alone is a 2004 crime thriller film directed by Ernest R. Dickerson. It is an adaptation of the novel of the same name, written by Donald Goines. The film stars DMX, David Arquette and Michael Ealy, and is about a criminal drug dealer returning to the East Coast to find redemption and make amends with a drug lord.

Plot[edit]

Never Die Alone subtitles. AKA: Chronique mortelle. No king rules forever. A drug kingpin's return home touches off a turf war. Never Die Alone subtitles. AKA: Chronique mortelle. No king rules forever. A drug kingpin's return home touches off a turf war. TurboBit.net provides unlimited and fast file cloud storage that enables you to securely share and access files online.

312 pages; 24 cm. Access-restricted-item true Addeddate 2020-12-11 09:58:49 Boxid IA40012109 Camera.

Hardened criminal and drug dealer King David (DMX) return to his unidentified East Coast city, where he can find redemption by settling an old score with drug lord Moon (Clifton Powell). He keeps tape-recorded journals about his life and is always talking about a woman named Edna (Keesha Sharp). Upon David's return, he meets up with Jasper (Luenell), a barkeep who expresses a strong dislike towards him. She contacts Moon to inform him of his return and willingness to pay his debt, as well as momentarily passing by Paul (David Arquette), a struggling writer.

Mike (Michael Ealy), one of Moon's henchmen, is assigned to collect his boss's money from David, appearing to be very interested in him for some reason. Before the deal, he is warned to not sabotage the deal to avert police attention. He, his friend Blue (Antwon Tanner) and his sister Ella (Drew Sidora) go to David and collect the money. Mike is very tense upon arriving at the location of the pickup, prompting Blue to authorize it for him.

After a brief but tense transaction between Blue and David, the latter is set up for an ambush. Mike angrily demands if David recognizes him, and proceeds to stab him multiple times in the abdomen after receiving several taunts. A weakened David stabs Blue in the eye with an ice pick before they abandon him in a gutter. Paul, who passes by at that moment, drives David, a total stranger, to the hospital.

Paul is informed that King has died and has left him all his personal possessions. The items include jewelry, his car (which is a rare Stutz Blackhawk), and a collection of his audiotapes. Meanwhile, Moon is unnerved by Mike botching the deal by using violence against David and becomes paranoid of police attention.

After being informed of Blue's injury, he tells the two to wait in a parking garage for a car to come and drive them to the hospital. Instead, he sets them up as two henchmen shoot and kill Blue and Ella, to Mike's horror. Just before Mike can be killed himself, he gains gravity of the situation and guns down the henchmen but is unable to retain his sister's life as she dies in his arms. He then vows revenge against Moon for the double-cross.

As Paul listens to the journal, the story of David's life is told: after a particularly bad drug experience in the east, David relocated to the west in search of a second chance. He finds assistance with the Vietnamese and even a new girlfriend, Janet (Jennifer Sky), whom he abuses. A television star, she turns to David's heroin and becomes sick and detached in the process. David abandons her as she presumably turns to selling his drugs to pay the bills and for her drug habit.

In the present, Moon sends out a duo of henchmen to kill Mike. Additionally, Moon learns of Paul's involvement in the situation from bystanders as his role of David's driver to the hospital, and requests for his murder, as well. Paul, meanwhile, continues to listen to the tapes; after he abandons Janet, David moves on to Juanita (Reagan Gomez-Preston), a college student that he meets in an upscale bar.

Their relationship goes well as David starts to make a lot of money, but then Juanita tries his drugs. She doesn't get addicted, but she does turn out to be very selfish by refusing to move in with David, insisting that $250,000 isn't enough on which to retire. Angry, David secretly switches her cocaine with heroin, getting her addicted.

Paul realizes that the money David talked about might be in David's trunk. It is, but at the same time, Moon's henchmen are sprawling all over the city in search of him. Mike follows Moon's limo via cab to a secluded back-alley, at which he follows him into a bathhouse and proceeds to kill him.

Paul listens to the last tape; David leaves Juanita, but she soon comes back, addicted and begging for help. He agrees to help her out, providing her a drug fix in exchange for sex. The humiliation and disgrace shatter her dreams and causes her severe emotional distress, thus making her addictions even stronger. After a while, she demands that he pay for her entrance to rehabilitation or else she'll call the police. Enraged, David decides to do the same thing he did to Edna: mix her heroin with car battery acid, resulting in a fatal seizure for her. Through a flashback, it is revealed that David is the biological father of Mike, who is also Edna's child, and that David brutally hit him before poisoning Edna (which explains the scar on his face). The tape ends with David speculating on how his return to the East Coast will bring about his redemption with Moon and tie the loose end with Edna's child, who he is completely unaware of as Mike in their second encounter.

Paul is found by Moon's henchmen, who hold him at gunpoint, but Mike arrives just on time and kills them. Paul tells Mike that King is his father, which greatly haunts the latter. As the police converge on the scene, the two make good their escape as Paul flees on foot and Michael takes David's car. Shortly afterward, Paul writes a story based on that night, titled 'Never Die Alone,' which is turned down by a publishing magazine as the agent believes it to be a fictionalized story.

David has cremated soon after. His narration focuses on the end of his life and how fate had such a powerful effect on not only his life but also on the lives of Paul, Mike, Edna, Juanita, Moon, and everyone else. Meanwhile, Mike drives through a tunnel and escapes without capture as David closes his narration with 'I wonder what lies ahead for me on the other side'.

Cast[edit]

• DMX as King David
• Michael Ealy as Michael
• David Arquette as Paul
• Clifton Powell as Moon
• Reagan Gomez-Preston as Juanita
• Jennifer Sky as Janet
• Luenell as Jasper
• Drew Sidora as Ella
• Antwon Tanner as Blue
• Keesha Sharp as Edna
• Tom Lister, Jr. as Rockie
• Xavier Simmons as Young Michael
• Paige Hurd as Young Ella (uncredited)

Reception[edit]

Critical response[edit]

As of January 2021, the film holds a 26% approval rating on review aggregateRotten Tomatoes, based on 92 reviews with an average rating of a 4.3/10. The website's critical consensus reads: 'DMX's menacing charisma is put to good use in this stylish but hackneyed modern-day noir.'^[2] On Metacritic, the film scored a 38 out of 100 based on 28 critics, indicating 'generally unfavorable reviews'.^[3]

Some critics panned it as a trashy, pretentious look at a life of drug abuse and violence. Ted Fry of The Seattle Times was put off by the film's 'despicable characterizations and hatefully misogynistic point of view' and also criticized 'the excessive melodrama, lousy dialogue, clumsy acting, and generally nasty vibe,' concluding that: 'Dickerson does his talent a disservice by reaching for an operatic tone that's not supported by the material or his resources.'^[4] Elizabeth Weitzman of the New York Daily News wrote that: 'Racist, misogynistic and breathtakingly cynical, [Ernest] Dickerson's clichéd crime drama Never Die Alone shamelessly exploits the degradation of its irredeemable characters.'^[5] Marc Savlov of The Austin Chronicle called it 'a misogynistic, dull-witted bore,' criticizing Dickerson for using 'every known hip-hop hoodlum cliché' throughout the film and also having 'plain bad acting, camerawork (courtesy of Matthew Libatique, who keeps the grainy, dark feel of a poorly lit Super-8 running throughout), and even scoring.' He concluded that 'If Never Die Alone had even a smidgeon of comic relief (or even, say, a bunch of zombies) to offset some of its relentlessly downbeat brutality, it might have been at best tolerable. But it doesn't, and it's not.'^[6]

However, a number of critics found more value in the film. Most notably, movie critic Roger Ebert awarded the film three-and-a-half stars out of four, praising it as 'an ambitious, introspective movie' that had 'many characters [are] all drawn with care and dimension', calling it Dickerson's 'best work to date, with the complexity of serious fiction and the nerve to start dark and stay dark, to follow the logic of its story right down to its inevitable end.'^[7]Elvis Mitchell, writing for The New York Times, praised Dickerson for adding 'street-corner majesty' to his direction and Libatique's 'furious, high-contrast diffusion' cinematography for 'elevating the look from a mere reiteration of music video fare', calling it 'a riveting genre film that neatly exhibits the director's growing assurance – Donald Goines would be proud.'^[8]Entertainment Weekly's Owen Gleiberman gave the film a 'B-' grade, saying that despite the overall framing of the plot being 'facile and second-rate', he gave praise to Dickerson for being 'the rare filmmaker who can show the attraction — and degradation — of the criminal life without exploiting it.'^[9]

DMX received praise for his role as King David. Ebert called it 'a fearless performance',^[7] with Savlov saying that he 'admittedly does badass like a pro'.^[6] Ruthe Stein of the San Francisco Chronicle wrote that: 'DMX has all the charisma you'd expect of a music star, and he uses it to portray King David as larger than life.'^[10] Mitchell wrote about DMX's performance: 'To say that King David is the best role he's ever had is an understatement. Until now, he never seemed to feel the need to inhabit a movie in this way. He's committed himself to the displays of King David's cagey brutality, chalking up every slight as an act to be avenged.'^[8]

Box office performance[edit]

The film was a box office bomb upon release earning only $3.0 million at 1,160 theaters. It later went on to gross just $5.6 million by the end of its run.

See also[edit]

References[edit]

1. ^'Never Die Alone (2004) - Box Office Mojo'. www.boxofficemojo.com.
2. ^'Never Die Alone (2004)'. Rotten Tomatoes. Fandango Media. Archived from the original on January 10, 2021. Retrieved January 10, 2021.
3. ^'Never Die Alone Reviews'. Metacritic. CBS Interactive. Archived from the original on January 10, 2021. Retrieved January 10, 2021.
4. ^Fry, Ted (March 26, 2004). times.com/archive/?date=20040326&slug=never26 ''Never Die Alone' is a noirish take on an ultra-nasty gangsta's life' Check |url= value (help). The Seattle Times. The Seattle Times Company. Retrieved January 10, 2021.
5. ^Weitzman, Elizabeth (March 26, 2004). 'Drug-dealer tale best left 'Alone''. New York Daily News. Tribune Publishing. Archived from the original on April 5, 2004. Retrieved January 10, 2021.
6. ^ ^abSavlov, Marc (March 26, 2004). 'Never Die Alone - Movie Review'. The Austin Chronicle. Archived from the original on January 10, 2021. Retrieved January 10, 2021.
7. ^ ^abEbert, Roger (March 26, 2004). 'Never Die Alone'. Chicago Sun-Times. Sun-Times Media Group. Archived from the original on April 29, 2020. Retrieved January 10, 2021 – via RogerEbert.com.
8. ^ ^abMitchell, Elvis (March 26, 2004). 'Film Review: Dying Without Remorse, A Bad Guy Who's Lonely'. The New York Times. The New York Times Company. Archived from the original on November 28, 2017. Retrieved January 10, 2021.
9. ^Gleiberman, Owen (March 24, 2004). 'Never Die Alone'. Entertainment Weekly. Time Inc.Archived from the original on January 10, 2021. Retrieved January 10, 2021.
10. ^Curiel, Jonathan; Hartlaub, Peter; Stein, Ruthe; Johnson, G. Allen (March 26, 2004). 'Film Clips / Also opening today'. San Francisco Chronicle. Hearst Communications. Archived from the original on April 4, 2004. Retrieved January 10, 2021.

External links[edit]

• Never Die Alone on IMDb
• Never Die Alone at AllMovie
• Never Die Alone at Rotten Tomatoes

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Never Die Alone

David clawed his way out of the streets; he did whatever it took to get to the top, but he didn't know it could cost him his life.

Never Die Alone

Never Drop Your Guard It should be the best day of their lives. Too bad they never get to see it. On the cusp of their twenty-first birthday, he strikes. His victims are always twins, their ritualistic murders planned in exquisite detail, down to the moment when they breathe their last together... Never Close Your Eyes A possibly innocent man is in prison, and Brianna Hayward needs to convince the New Orleans police. Not just to free her cousin, but to save others who will suffer until the true culprit is found. Reporter Jase Bridges is intrigued. It's a story that could make his career—as long as Brianna never guesses the secret in Jase's past... ...Or You'll Never See Him Coming Detective Rick Bentz had doubts about the '21' conviction when he worked the case in L.A. Now the real murderer may be loose in Bentz's backyard. Twin sisters from All Saints College have vanished on the eve of their twenty-first birthday. And as Bentz and his partner, Reuben Montoya, desperately follow the trail, a killer prepares to unite his next victims in death forever...

Something to Live For

Previously published as How Not to Die Alone Smart, darkly funny, and life-affirming, for fans of Eleanor Oliphant Is Completely Fine, Something to Live For is the bighearted debut novel we all need, a story about love, loneliness, and the importance of taking a chance when we feel we have the most to lose. 'Off-beat and winning...Gives resiliency and the triumph of the human spirit a good name.' --The Wall Street Journal All Andrew wants is to be normal. That's why his coworkers believe he has the perfect wife and two children waiting at home for him after a long day. But the truth is, his life isn't exactly as people think . . . and his little white lie is about to catch up with him. Because in all of Andrew's efforts to fit in, he's forgotten one important thing: how to really live. And maybe, it's finally time for him to start. 'Roper illuminates Andrew's interior life to reveal not what an odd duck he is, but what odd ducks we all are.' --The New York Times Book Review

How to Die Alone

Meet Blair, viral Instagram sensation and antisocial icon, in this handbook to living your worst life, written and illustrated with laugh-out-loud wit by comedian Mo Welch. For every brave soul who wants to just say no—no to meeting the gang for drinks, no to wishing a coworker happy birthday (unless there's free cake involved), and no to dating of any kind—here comes Blair, the master of living life in sweatpants and talking only to her cat. With her dark but totally honest perspective, Blair will teach you how to become an antisocial hermit, fail at your boring job, sabotage your relationship, and always—always—give yourself permission to choose the couch over the gym.

We Die Alone

We Die Alone recounts one of the most exciting escape stories to emerge from the challenges and miseries of World War II. In March 1943, a team of expatriate Norwegian commandos sailed from northern England for Nazi-occupied arctic Norway to organize and supply the Norwegian resistance. But they were betrayed and the Nazis ambushed them. Only one man survived--Jan Baalsrud. This is the incredible and gripping story of his escape. Frostbitten and snowblind, pursued by the Nazis, he dragged himself on until he reached a small arctic village. He was near death, delirious, and a virtual cripple. But the villagers, at mortal risk to themselves, were determined to save him, and--through impossible feats--they did. We Die Alone is an astonishing true story of heroism and endurance. Like Slavomir Rawicz's The Long Walk, it is also an unforgettable portrait of the determination of the human spirit.

No One Has to Die Alone

Caring for a terminally ill loved one can be the single biggest challenge of your life. Drawing from her experience sitting with over 500 people as they died and caring for her own terminally ill father, Dr. Lani Leary gently guides caregivers, family, and friends through the difficult transitions of illness, death, and bereavement. No One Has to Die Alone offers the practical skills, vocabulary, and insights needed to truly address the needs of a dying loved one while caring for yourself through the process. Dr. Leary shows both patient and caregiver how to rise above feelings of fear and isolation to find peace and meaning in each person's unique end-of-life experience. Whether used as a reference book to address a particular challenge or read from start to finish, this is a must-read for anyone facing death or the loss of a loved one. You'll learn: • how to listen to and support a loved one's needs; • what to expect as a loved one declines and the different grieving processes and tasks; • the key to supporting a grieving child; • what resources are available for patients and caregivers; • the lessons of near-death experiences and the value of after-death communications.

Never Die Alone

Hot Blooded

First One Dead Body. . . A prostitute lies strangled in a seedy French Quarter hotel room. Miles away, in a rambling plantation house on the sultry shores of Lake Ponchartrain, popular late-night radio host Dr. Samantha Leeds receives a threatening crank call. All in a day's work for a celebrity. Who would think to link the two? Then Another. . . A second hooker's corpse turns up. Samantha's ominous caller persists, along with a mysterious claiming to be a woman from her past--a woman who's been dead for years. With Detective Rick Bentz convinced that the serial killer prowling the shadowy streets of New Orleans is somebody close to Samantha, she doesn't dare trust anyone. Especially not Ty Wheeler, her seductive new neighbor who seems to know more about her than a stranger should. . . .And Another Somebody has discovered Samantha's darkest secret. Somebody is convinced that lives must be sacrificed to pay for her sins. So far, the victims have been strangers. But as a cunning, cold-blooded killer grows bolder, Samantha wonders in dread if she will be the next to die. . .

Feelings Buried Alive Never Die

Karol Truman provides a comprehensive and enlightening resource for getting in touch with unresolved feelings which, she explains, can distort not only happiness but also health and well-being. Leaving no emotion unnamed, and in fact listing around 750 labels for feelings, Truman helps identify problem areas, and offers a 'script' to help process the feelings, replacing the negative feeling with a new, positive outlook. A chapter on the possible emotions below the surface in various physical ailments gives the reader plenty to work with on a deep healing level. FEELINGS BURIED ALIVE NEVER DIE combines a supportive, common-sense, results-oriented approach to a problem that is widespread and that can stop people from living fully.

Die Alone

________________________ 'Simon Kernick is an absolute master of the adrenaline-fuelled ride' - PETER JAMES The new high-octane thriller from Sunday Times bestselling author Simon Kernick ________________________ Alastair Sheridan has it all. Wealth, good looks, a beautiful wife and children and, in the chaotic world of British politics, a real chance of becoming Prime Minister. But Alastair also has a secret. He's a serial killer with a taste for young women. Only a handful of people know what kind of monster he is, and disgraced detective Ray Mason is one of them. Awaiting trial for murder, Ray is unexpectedly broken free by armed men and given an offer: assassinate Alastair Sheridan and begin a new life abroad with a new identity. The men claim to be from MI6. They say that Sheridan is a threat to national security and needs to be neutralised. Ray knows they are not who they say they are, and that their real motives are far darker. The only person Ray trusts is ex-cop and former lover Tina Boyd, who's keen to settle her own scores with Sheridan. With enemies on every side, only one thing is certain. No one wants them to get out alive. ________________________ 'Simon Kernick is one of the most reliable purveyors of the edge-of-your-seat thriller... a more powerful adrenaline rush than an EpiPen' - JAKE KERRIDGE, SUNDAY EXPRESS 'An emotionally punchy domestic noir blended with the pace and action of a high-octane thriller, WE CAN SEE YOU will keep you breathlessly on the edge of your seat, wondering which character you can trust, if any at all, until the final brilliant twist! A #WTFthatending indeed!' - SARAH PINBOROUGH, author of BEHIND HER EYES and CROSS HER HEART 'A pacy thriller, with a body count that rises along with the tension levels' – SUNDAY MIRROR 'Simon Kernick manages to ring fresh changes (and revelations) at every point... He remains one of the most consistently suspenseful and ingenious writers in the field' – FINANCIAL TIMES 'Thriller-meister Simon Kernick's standalone books are always worth picking up – and his latest is no exception' – SUNDAY SPORT

We Do Not Die Alone

This book is 'a chronicle of the nurses who have been present at the bedside of their dying patients. These patients have seen familiar 'people' who have come to help them make their transition. These experiences have left the patients, their families and their nurses with a deep sense of peace.'--Page 4 of cover.

Do Your Laundry or You ll Die Alone

The perfect gift for grads—and their mothers! As Becky Blades prepared to send her firstborn daughter off to Harvard, it occurred to her how much she still needed to learn. About dreams. About life. About laundry. Do Your Laundry or You'll Die Alone is the frequently poignant and always true collection of advice your mom might've forgotten to give you, like: · Good posture is slimming · Multi-tasking doesn't always save you time · Don't heat-dry your delicates Blades also reminds us that 'it's okay to outgrow your dreams,' and to 'make something every day.' A perfect gift for mothers and daughters to share.

Never Die Alone is a 2004 crime thriller film directed by Ernest R. Dickerson. It is an adaptation of the novel of the same name, written by Donald Goines. The film stars DMX, David Arquette and Michael Ealy, and is about a criminal drug dealer returning to the East Coast to find redemption and make amends with a drug lord.

Plot[edit]

Never Die Alone subtitles. AKA: Chronique mortelle. No king rules forever. A drug kingpin's return home touches off a turf war. Never Die Alone subtitles. AKA: Chronique mortelle. No king rules forever. A drug kingpin's return home touches off a turf war. TurboBit.net provides unlimited and fast file cloud storage that enables you to securely share and access files online.

312 pages; 24 cm. Access-restricted-item true Addeddate 2020-12-11 09:58:49 Boxid IA40012109 Camera.

Hardened criminal and drug dealer King David (DMX) return to his unidentified East Coast city, where he can find redemption by settling an old score with drug lord Moon (Clifton Powell). He keeps tape-recorded journals about his life and is always talking about a woman named Edna (Keesha Sharp). Upon David's return, he meets up with Jasper (Luenell), a barkeep who expresses a strong dislike towards him. She contacts Moon to inform him of his return and willingness to pay his debt, as well as momentarily passing by Paul (David Arquette), a struggling writer.

Mike (Michael Ealy), one of Moon's henchmen, is assigned to collect his boss's money from David, appearing to be very interested in him for some reason. Before the deal, he is warned to not sabotage the deal to avert police attention. He, his friend Blue (Antwon Tanner) and his sister Ella (Drew Sidora) go to David and collect the money. Mike is very tense upon arriving at the location of the pickup, prompting Blue to authorize it for him.

After a brief but tense transaction between Blue and David, the latter is set up for an ambush. Mike angrily demands if David recognizes him, and proceeds to stab him multiple times in the abdomen after receiving several taunts. A weakened David stabs Blue in the eye with an ice pick before they abandon him in a gutter. Paul, who passes by at that moment, drives David, a total stranger, to the hospital.

Paul is informed that King has died and has left him all his personal possessions. The items include jewelry, his car (which is a rare Stutz Blackhawk), and a collection of his audiotapes. Meanwhile, Moon is unnerved by Mike botching the deal by using violence against David and becomes paranoid of police attention.

After being informed of Blue's injury, he tells the two to wait in a parking garage for a car to come and drive them to the hospital. Instead, he sets them up as two henchmen shoot and kill Blue and Ella, to Mike's horror. Just before Mike can be killed himself, he gains gravity of the situation and guns down the henchmen but is unable to retain his sister's life as she dies in his arms. He then vows revenge against Moon for the double-cross.

As Paul listens to the journal, the story of David's life is told: after a particularly bad drug experience in the east, David relocated to the west in search of a second chance. He finds assistance with the Vietnamese and even a new girlfriend, Janet (Jennifer Sky), whom he abuses. A television star, she turns to David's heroin and becomes sick and detached in the process. David abandons her as she presumably turns to selling his drugs to pay the bills and for her drug habit.

In the present, Moon sends out a duo of henchmen to kill Mike. Additionally, Moon learns of Paul's involvement in the situation from bystanders as his role of David's driver to the hospital, and requests for his murder, as well. Paul, meanwhile, continues to listen to the tapes; after he abandons Janet, David moves on to Juanita (Reagan Gomez-Preston), a college student that he meets in an upscale bar.

Their relationship goes well as David starts to make a lot of money, but then Juanita tries his drugs. She doesn't get addicted, but she does turn out to be very selfish by refusing to move in with David, insisting that $250,000 isn't enough on which to retire. Angry, David secretly switches her cocaine with heroin, getting her addicted.

Paul realizes that the money David talked about might be in David's trunk. It is, but at the same time, Moon's henchmen are sprawling all over the city in search of him. Mike follows Moon's limo via cab to a secluded back-alley, at which he follows him into a bathhouse and proceeds to kill him.

Paul listens to the last tape; David leaves Juanita, but she soon comes back, addicted and begging for help. He agrees to help her out, providing her a drug fix in exchange for sex. The humiliation and disgrace shatter her dreams and causes her severe emotional distress, thus making her addictions even stronger. After a while, she demands that he pay for her entrance to rehabilitation or else she'll call the police. Enraged, David decides to do the same thing he did to Edna: mix her heroin with car battery acid, resulting in a fatal seizure for her. Through a flashback, it is revealed that David is the biological father of Mike, who is also Edna's child, and that David brutally hit him before poisoning Edna (which explains the scar on his face). The tape ends with David speculating on how his return to the East Coast will bring about his redemption with Moon and tie the loose end with Edna's child, who he is completely unaware of as Mike in their second encounter.

Paul is found by Moon's henchmen, who hold him at gunpoint, but Mike arrives just on time and kills them. Paul tells Mike that King is his father, which greatly haunts the latter. As the police converge on the scene, the two make good their escape as Paul flees on foot and Michael takes David's car. Shortly afterward, Paul writes a story based on that night, titled 'Never Die Alone,' which is turned down by a publishing magazine as the agent believes it to be a fictionalized story.

David has cremated soon after. His narration focuses on the end of his life and how fate had such a powerful effect on not only his life but also on the lives of Paul, Mike, Edna, Juanita, Moon, and everyone else. Meanwhile, Mike drives through a tunnel and escapes without capture as David closes his narration with 'I wonder what lies ahead for me on the other side'.

Cast[edit]

• DMX as King David
• Michael Ealy as Michael
• David Arquette as Paul
• Clifton Powell as Moon
• Reagan Gomez-Preston as Juanita
• Jennifer Sky as Janet
• Luenell as Jasper
• Drew Sidora as Ella
• Antwon Tanner as Blue
• Keesha Sharp as Edna
• Tom Lister, Jr. as Rockie
• Xavier Simmons as Young Michael
• Paige Hurd as Young Ella (uncredited)

Reception[edit]

Critical response[edit]

As of January 2021, the film holds a 26% approval rating on review aggregateRotten Tomatoes, based on 92 reviews with an average rating of a 4.3/10. The website's critical consensus reads: 'DMX's menacing charisma is put to good use in this stylish but hackneyed modern-day noir.'^[2] On Metacritic, the film scored a 38 out of 100 based on 28 critics, indicating 'generally unfavorable reviews'.^[3]

Some critics panned it as a trashy, pretentious look at a life of drug abuse and violence. Ted Fry of The Seattle Times was put off by the film's 'despicable characterizations and hatefully misogynistic point of view' and also criticized 'the excessive melodrama, lousy dialogue, clumsy acting, and generally nasty vibe,' concluding that: 'Dickerson does his talent a disservice by reaching for an operatic tone that's not supported by the material or his resources.'^[4] Elizabeth Weitzman of the New York Daily News wrote that: 'Racist, misogynistic and breathtakingly cynical, [Ernest] Dickerson's clichéd crime drama Never Die Alone shamelessly exploits the degradation of its irredeemable characters.'^[5] Marc Savlov of The Austin Chronicle called it 'a misogynistic, dull-witted bore,' criticizing Dickerson for using 'every known hip-hop hoodlum cliché' throughout the film and also having 'plain bad acting, camerawork (courtesy of Matthew Libatique, who keeps the grainy, dark feel of a poorly lit Super-8 running throughout), and even scoring.' He concluded that 'If Never Die Alone had even a smidgeon of comic relief (or even, say, a bunch of zombies) to offset some of its relentlessly downbeat brutality, it might have been at best tolerable. But it doesn't, and it's not.'^[6]

However, a number of critics found more value in the film. Most notably, movie critic Roger Ebert awarded the film three-and-a-half stars out of four, praising it as 'an ambitious, introspective movie' that had 'many characters [are] all drawn with care and dimension', calling it Dickerson's 'best work to date, with the complexity of serious fiction and the nerve to start dark and stay dark, to follow the logic of its story right down to its inevitable end.'^[7]Elvis Mitchell, writing for The New York Times, praised Dickerson for adding 'street-corner majesty' to his direction and Libatique's 'furious, high-contrast diffusion' cinematography for 'elevating the look from a mere reiteration of music video fare', calling it 'a riveting genre film that neatly exhibits the director's growing assurance – Donald Goines would be proud.'^[8]Entertainment Weekly's Owen Gleiberman gave the film a 'B-' grade, saying that despite the overall framing of the plot being 'facile and second-rate', he gave praise to Dickerson for being 'the rare filmmaker who can show the attraction — and degradation — of the criminal life without exploiting it.'^[9]

DMX received praise for his role as King David. Ebert called it 'a fearless performance',^[7] with Savlov saying that he 'admittedly does badass like a pro'.^[6] Ruthe Stein of the San Francisco Chronicle wrote that: 'DMX has all the charisma you'd expect of a music star, and he uses it to portray King David as larger than life.'^[10] Mitchell wrote about DMX's performance: 'To say that King David is the best role he's ever had is an understatement. Until now, he never seemed to feel the need to inhabit a movie in this way. He's committed himself to the displays of King David's cagey brutality, chalking up every slight as an act to be avenged.'^[8]

Box office performance[edit]

The film was a box office bomb upon release earning only $3.0 million at 1,160 theaters. It later went on to gross just $5.6 million by the end of its run.

See also[edit]

References[edit]

1. ^'Never Die Alone (2004) - Box Office Mojo'. www.boxofficemojo.com.
2. ^'Never Die Alone (2004)'. Rotten Tomatoes. Fandango Media. Archived from the original on January 10, 2021. Retrieved January 10, 2021.
3. ^'Never Die Alone Reviews'. Metacritic. CBS Interactive. Archived from the original on January 10, 2021. Retrieved January 10, 2021.
4. ^Fry, Ted (March 26, 2004). times.com/archive/?date=20040326&slug=never26 ''Never Die Alone' is a noirish take on an ultra-nasty gangsta's life' Check |url= value (help). The Seattle Times. The Seattle Times Company. Retrieved January 10, 2021.
5. ^Weitzman, Elizabeth (March 26, 2004). 'Drug-dealer tale best left 'Alone''. New York Daily News. Tribune Publishing. Archived from the original on April 5, 2004. Retrieved January 10, 2021.
6. ^ ^abSavlov, Marc (March 26, 2004). 'Never Die Alone - Movie Review'. The Austin Chronicle. Archived from the original on January 10, 2021. Retrieved January 10, 2021.
7. ^ ^abEbert, Roger (March 26, 2004). 'Never Die Alone'. Chicago Sun-Times. Sun-Times Media Group. Archived from the original on April 29, 2020. Retrieved January 10, 2021 – via RogerEbert.com.
8. ^ ^abMitchell, Elvis (March 26, 2004). 'Film Review: Dying Without Remorse, A Bad Guy Who's Lonely'. The New York Times. The New York Times Company. Archived from the original on November 28, 2017. Retrieved January 10, 2021.
9. ^Gleiberman, Owen (March 24, 2004). 'Never Die Alone'. Entertainment Weekly. Time Inc.Archived from the original on January 10, 2021. Retrieved January 10, 2021.
10. ^Curiel, Jonathan; Hartlaub, Peter; Stein, Ruthe; Johnson, G. Allen (March 26, 2004). 'Film Clips / Also opening today'. San Francisco Chronicle. Hearst Communications. Archived from the original on April 4, 2004. Retrieved January 10, 2021.

External links[edit]

• Never Die Alone on IMDb
• Never Die Alone at AllMovie
• Never Die Alone at Rotten Tomatoes

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Never Die Alone

David clawed his way out of the streets; he did whatever it took to get to the top, but he didn't know it could cost him his life.

Never Die Alone

Never Drop Your Guard It should be the best day of their lives. Too bad they never get to see it. On the cusp of their twenty-first birthday, he strikes. His victims are always twins, their ritualistic murders planned in exquisite detail, down to the moment when they breathe their last together... Never Close Your Eyes A possibly innocent man is in prison, and Brianna Hayward needs to convince the New Orleans police. Not just to free her cousin, but to save others who will suffer until the true culprit is found. Reporter Jase Bridges is intrigued. It's a story that could make his career—as long as Brianna never guesses the secret in Jase's past... ...Or You'll Never See Him Coming Detective Rick Bentz had doubts about the '21' conviction when he worked the case in L.A. Now the real murderer may be loose in Bentz's backyard. Twin sisters from All Saints College have vanished on the eve of their twenty-first birthday. And as Bentz and his partner, Reuben Montoya, desperately follow the trail, a killer prepares to unite his next victims in death forever...

Something to Live For

Previously published as How Not to Die Alone Smart, darkly funny, and life-affirming, for fans of Eleanor Oliphant Is Completely Fine, Something to Live For is the bighearted debut novel we all need, a story about love, loneliness, and the importance of taking a chance when we feel we have the most to lose. 'Off-beat and winning...Gives resiliency and the triumph of the human spirit a good name.' --The Wall Street Journal All Andrew wants is to be normal. That's why his coworkers believe he has the perfect wife and two children waiting at home for him after a long day. But the truth is, his life isn't exactly as people think . . . and his little white lie is about to catch up with him. Because in all of Andrew's efforts to fit in, he's forgotten one important thing: how to really live. And maybe, it's finally time for him to start. 'Roper illuminates Andrew's interior life to reveal not what an odd duck he is, but what odd ducks we all are.' --The New York Times Book Review

How to Die Alone

Meet Blair, viral Instagram sensation and antisocial icon, in this handbook to living your worst life, written and illustrated with laugh-out-loud wit by comedian Mo Welch. For every brave soul who wants to just say no—no to meeting the gang for drinks, no to wishing a coworker happy birthday (unless there's free cake involved), and no to dating of any kind—here comes Blair, the master of living life in sweatpants and talking only to her cat. With her dark but totally honest perspective, Blair will teach you how to become an antisocial hermit, fail at your boring job, sabotage your relationship, and always—always—give yourself permission to choose the couch over the gym.

We Die Alone

We Die Alone recounts one of the most exciting escape stories to emerge from the challenges and miseries of World War II. In March 1943, a team of expatriate Norwegian commandos sailed from northern England for Nazi-occupied arctic Norway to organize and supply the Norwegian resistance. But they were betrayed and the Nazis ambushed them. Only one man survived--Jan Baalsrud. This is the incredible and gripping story of his escape. Frostbitten and snowblind, pursued by the Nazis, he dragged himself on until he reached a small arctic village. He was near death, delirious, and a virtual cripple. But the villagers, at mortal risk to themselves, were determined to save him, and--through impossible feats--they did. We Die Alone is an astonishing true story of heroism and endurance. Like Slavomir Rawicz's The Long Walk, it is also an unforgettable portrait of the determination of the human spirit.

No One Has to Die Alone

Caring for a terminally ill loved one can be the single biggest challenge of your life. Drawing from her experience sitting with over 500 people as they died and caring for her own terminally ill father, Dr. Lani Leary gently guides caregivers, family, and friends through the difficult transitions of illness, death, and bereavement. No One Has to Die Alone offers the practical skills, vocabulary, and insights needed to truly address the needs of a dying loved one while caring for yourself through the process. Dr. Leary shows both patient and caregiver how to rise above feelings of fear and isolation to find peace and meaning in each person's unique end-of-life experience. Whether used as a reference book to address a particular challenge or read from start to finish, this is a must-read for anyone facing death or the loss of a loved one. You'll learn: • how to listen to and support a loved one's needs; • what to expect as a loved one declines and the different grieving processes and tasks; • the key to supporting a grieving child; • what resources are available for patients and caregivers; • the lessons of near-death experiences and the value of after-death communications.

Never Die Alone

Hot Blooded

First One Dead Body. . . A prostitute lies strangled in a seedy French Quarter hotel room. Miles away, in a rambling plantation house on the sultry shores of Lake Ponchartrain, popular late-night radio host Dr. Samantha Leeds receives a threatening crank call. All in a day's work for a celebrity. Who would think to link the two? Then Another. . . A second hooker's corpse turns up. Samantha's ominous caller persists, along with a mysterious claiming to be a woman from her past--a woman who's been dead for years. With Detective Rick Bentz convinced that the serial killer prowling the shadowy streets of New Orleans is somebody close to Samantha, she doesn't dare trust anyone. Especially not Ty Wheeler, her seductive new neighbor who seems to know more about her than a stranger should. . . .And Another Somebody has discovered Samantha's darkest secret. Somebody is convinced that lives must be sacrificed to pay for her sins. So far, the victims have been strangers. But as a cunning, cold-blooded killer grows bolder, Samantha wonders in dread if she will be the next to die. . .

Feelings Buried Alive Never Die

Karol Truman provides a comprehensive and enlightening resource for getting in touch with unresolved feelings which, she explains, can distort not only happiness but also health and well-being. Leaving no emotion unnamed, and in fact listing around 750 labels for feelings, Truman helps identify problem areas, and offers a 'script' to help process the feelings, replacing the negative feeling with a new, positive outlook. A chapter on the possible emotions below the surface in various physical ailments gives the reader plenty to work with on a deep healing level. FEELINGS BURIED ALIVE NEVER DIE combines a supportive, common-sense, results-oriented approach to a problem that is widespread and that can stop people from living fully.

Die Alone

________________________ 'Simon Kernick is an absolute master of the adrenaline-fuelled ride' - PETER JAMES The new high-octane thriller from Sunday Times bestselling author Simon Kernick ________________________ Alastair Sheridan has it all. Wealth, good looks, a beautiful wife and children and, in the chaotic world of British politics, a real chance of becoming Prime Minister. But Alastair also has a secret. He's a serial killer with a taste for young women. Only a handful of people know what kind of monster he is, and disgraced detective Ray Mason is one of them. Awaiting trial for murder, Ray is unexpectedly broken free by armed men and given an offer: assassinate Alastair Sheridan and begin a new life abroad with a new identity. The men claim to be from MI6. They say that Sheridan is a threat to national security and needs to be neutralised. Ray knows they are not who they say they are, and that their real motives are far darker. The only person Ray trusts is ex-cop and former lover Tina Boyd, who's keen to settle her own scores with Sheridan. With enemies on every side, only one thing is certain. No one wants them to get out alive. ________________________ 'Simon Kernick is one of the most reliable purveyors of the edge-of-your-seat thriller... a more powerful adrenaline rush than an EpiPen' - JAKE KERRIDGE, SUNDAY EXPRESS 'An emotionally punchy domestic noir blended with the pace and action of a high-octane thriller, WE CAN SEE YOU will keep you breathlessly on the edge of your seat, wondering which character you can trust, if any at all, until the final brilliant twist! A #WTFthatending indeed!' - SARAH PINBOROUGH, author of BEHIND HER EYES and CROSS HER HEART 'A pacy thriller, with a body count that rises along with the tension levels' – SUNDAY MIRROR 'Simon Kernick manages to ring fresh changes (and revelations) at every point... He remains one of the most consistently suspenseful and ingenious writers in the field' – FINANCIAL TIMES 'Thriller-meister Simon Kernick's standalone books are always worth picking up – and his latest is no exception' – SUNDAY SPORT

We Do Not Die Alone

This book is 'a chronicle of the nurses who have been present at the bedside of their dying patients. These patients have seen familiar 'people' who have come to help them make their transition. These experiences have left the patients, their families and their nurses with a deep sense of peace.'--Page 4 of cover.

Do Your Laundry or You ll Die Alone

The perfect gift for grads—and their mothers! As Becky Blades prepared to send her firstborn daughter off to Harvard, it occurred to her how much she still needed to learn. About dreams. About life. About laundry. Do Your Laundry or You'll Die Alone is the frequently poignant and always true collection of advice your mom might've forgotten to give you, like: · Good posture is slimming · Multi-tasking doesn't always save you time · Don't heat-dry your delicates Blades also reminds us that 'it's okay to outgrow your dreams,' and to 'make something every day.' A perfect gift for mothers and daughters to share.

We All Die Alone

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Collects Newgarden's comics and stories in a volume that offers insight into the artist's influences and style.

To Die Alone in the Yukon

After five months of teaching in Alaska, Lydia Falkner is back in the Yukon Territory. She is anxious to return to her beloved wilderness cabin. The salmon are running, the bears are afoot, and the fireweed is in bloom. Lydia longs to embrace it all. But, at the request of Teddy an old and dear friend, she will first visit a salmon research project on the Yukon River. The researchers share a camp with a group of mushroom pickers, a diverse and interesting group. Lydia befriends a small boy and together they wait for Teddy to return to camp. Teddy never arrives. A search ensues and it is not until evening that the body is discovered at a hundred year old mining site. It is murder. There are no clues and no obvious motives. Was Teddy assaulted by one of the mushroom hunters? by the archeologist who lives at the mining site? by the placer miners who live nearby in the woods? Lydia is obsessed by Teddy's death and travels the Territory searching for information. Three more bodies are discovered in very different environments, under very different circumstances. There is no obvious connection between these four deaths and yet one name keeps surfacing. As the summer wears on, more details emerge but none of them are illuminating until an astonishing answer comes from an astonishing source. This revelation nearly costs Lydia her life.

Bowling Alone

Once we bowled in leagues, usually after work -- but no longer. This seemingly small phenomenon symbolizes a significant social change that Robert Putnam has identified in this brilliant volume, Bowling Alone, which The Economist hailed as 'a prodigious achievement.' Drawing on vast new data that reveal Americans' changing behavior, Putnam shows how we have become increasingly disconnected from one another and how social structures -- whether they be PTA, church, or political parties -- have disintegrated. Until the publication of this groundbreaking work, no one had so deftly diagnosed the harm that these broken bonds have wreaked on our physical and civic health, nor had anyone exalted their fundamental power in creating a society that is happy, healthy, and safe. Like defining works from the past, such as The Lonely Crowd and The Affluent Society, and like the works of C. Wright Mills and Betty Friedan, Putnam's Bowling Alone has identified a central crisis at the heart of our society and suggests what we can do.

Dopefiend

Terry and Teddy's relationship crumbles and they go in separate directions as they become heroin addicts and seek their dealer's favor in order to feed the addiction.

To Die Alone

It's estimated that over 800,000 people die by suicide each year. That's one person every 40 seconds. Around 65,000 people attempt suicide each year. While hundreds of thousands of people have suicidal thoughts. TO DIE ALONE: The Suicidal Chronicles gives you an inside look and a front row seat into the lives of several different individuals from all walks of life dealing with depression and contemplating suicide. Each story is inspired by true events with Author Tisa Key's own personal story and journey. These stories are raw gritty and makes one really take notice to the realities of suicide. This book is meant to give you insight about what someone is thinking and going through when having suicidal thoughts. As well as to uplift and empower you while having those thoughts. At the end of the book you'll find positive affirmations, mantras and resources that can help you or someone you know going these critical times. So even if you are having suicidal thoughts or know someone that is, information is available to you. YOU ARE NOT ALONE! YOU MATTER!

I Can t Die Alone

She was alone on a journey to find a man she'd never met. She had a backpack filled with three days worth of clothing, and old photograph, and a letter dated 1997. With one goal in mind she set out to find the man from the letter, the man named Benjamin Cooper. The only thing that she knew about this man was that he was married to her mother many years ago, and according to his letter he loved her. That was the only conformation she needed to search for him. Tori Holt had no family left that she knew of, and one chance to find someone to share her last days with. Otherwise, she'd die alone. The doctors said she wouldn't live to see her twenty-first birthday, the birthday that was only three months away. Time was not on her side, but she didn't care. Tori knew right from the beginning that this journey wouldn't be easy. But it didn't stop her, because nothing about her life had been easy. Then she met Bo, the handsome boy who kept her company on a park bench. Bo was the son of a man named Benjamin, the man from a letter dated 1997. The hardest part about finding love is letting it go. The easiest part about the journey is the moment it all makes sense.

Shiver

The Crimes Are Unthinkable A serial killer is turning the Big Easy into his personal playground. The victims are killed in pairs--no connection, no apparent motive, no real clues. It's a very sick game, and it's only just begun. The Fear Is Real Abby Chastain left New Orleans long ago and for good reason. Now she's back where she feels watched, as if the devil himself is scraping a fingernail along her spine. It doesn't help that Detective Reuben Montoya is convinced she's somehow the key to unlocking these horrible crimes--a mystery that has something to do with Our Lady of Virtues Mental Hospital, a decaying old asylum where unspeakable crimes were once committed, and a human predator may still wait. The Truth Is Deadly As more bodies are found in gruesome, staged scenarios, Montoya and Abby are in a desperate race to stop a killer whose terrifying crimes are bringing them ever nearer to a shocking revelation. For the past is never completely gone. Its sins must be avenged. And a twisted psychopath is getting close enough to make them. . . Shiver

The Great Alone

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